
Annabella Miscuglio
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Roles are weighted by involvement: director 1.0, screenwriter 0.7, lead 0.8, supporting 0.4, crew 0.1.
A leading figure in independent and experimental cinema and audiovisual production from the late 1960s onwards, Miscuglio was the founder in 1967, with Americo Sbardella and Paolo Castaldini, of Filmstudio 70, the first Italian underground film club. During the 1970s she began her activity as a filmmaker and activist, taking part in the first Italian feminist collectives and films, and in 1976 she organized Kinomata, the first international women's film conference-festival in Rome, with Roni Daopoulo. At the same time, she allowed herself the creative and productive freedom of super8, creating small experimental works. At the end of the 1970s she chose to dedicate herself completely to directing, working mainly for television; one of the very few production fields in which women, albeit to a limited extent, had some room for manoeuvre. Miscuglio's activity is intense and multifaceted, but unknown to most, given the invisibility to which female creativity is often condemned even today - especially if carried out in independent contexts.
Known for
Credits

Puzzle Therapy (1976)
Director

Paola (1976)
Director

Frammenti di una vita d'eroina (1977)
Director
La cospirazione (1992)
Director
Ritratti (1976)
Director

Rony (1976)
Director

La lotta non è finita (1973)
Director
Canti illuminati (1976)
Director

Processo per stupro (1979)
Director
Il rischio di vivere (1977)
Director

Anna’s Textures (1976)
Director

The Adjective Woman (1971)
Director

Maitreya (1976)
Director
A.A.A. Offresi (1981)
Director
Frammenti di fabbrica (1986)
Director
Percorsi metropolitani (1983)
Director
Morso d'amore (1981)
Director

Effetto Puglia (1988)
Director
Il Lazio e la memoria (1990)
Director

Il Divino, lo strillone e altri (1992)
Director

Grazia a Grazia (1976)
Director

Fughe lineari in progressione psichica (1975)
Director

I fantasmi del fallo (1980)
Director
Graffi sulla citta (1982)
Director




