
Dimitri Kirsanoff
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Dimitri Kirsanoff (Russian: Дими́трий Кирса́нов) was an early filmmaker, considered part of the French Impressionist movement in film. He is known for his inexpensively made experimental films. Kirsanoff was born Markus David Sussmanovitch Kaplan in Tartu (then Juryev), Estonia, then Russian Empire in 1899 to Lithuanian Jewish parents. In the early 1920s he moved to Paris and became involved in cinema through playing cello in the orchestra at showings. He began making films on his own, and never worked with a production company. Kirsanoff was at the forefront of Parisian avant-garde filmmaking thanks to works such as Ménilmontant (1926), which combined soviet style montage with hand-held camerawork and lyrically composed static shots. Kirsanoff's early silent films, many starring his first wife Nadia Sibirskaia, are considered his best works. With the coming of sound the quality of his output declined, though he continued to direct commercial ventures into the 1950's. He was married to the actress Nadia Sibirskaïa who starred in several of his early films. His second marriage was to editor Monique Kirsanoff.
Known for
Credits
Sables (1928)
Director

Two Friends (1946)
Director

The Midnight Witness (1953)
Director

The Cradles (1931)
Director

The Most Beautiful Girl in the World (1938)
Director

Young Girl in the Garden (1936)
Director

Various Facts About Paris (1950)
Director
Destin (1927)
Director

Ménilmontant (1926)
Director
Scrupule (1935)
Director

The Kidnapping (1934)
Director
Sunless Neighborhood (1946)
Director

Autumn Mists (1929)
Director

Franco de port (1937)
Director

Death of a Stag (1951)
Director

Tonight the Skirts Fly (1956)
Director

Le Crâneur (1955)
Director

The Fountain of Arethusa (1936)
Director

Backward Season (1950)
Director

Miss Catastrophe (1957)
Director

The Midnight Airplane (1938)
Director

Irony of Fate (1924)
Director




