
Takahiko Iimura
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Takahiko Iimura has been a pioneer artist of Japanese experimental film and video, working with film since l960 and with video since 1970 while residing in New York and Tokyo. He is a widely established international artist, having numerous solo exhibitions in major museums such as the Museum of Modern Art, New York, the Whitney Museum, New York, Anthology Film Archives, New York, Centre George Pompidou, Paris, the National Gallery Jeu de Paume, Paris, Palais des Beaux-Arts, Brussels, Reina Sofia National Museum, Madrid, and the Tokyo Metropolitan Museum of Photography, Tokyo in addition to an artist residency at the German Academy of Arts, Berlin, and Bellagio Rockefeller Foundation Study Center, Bellagio, Italy.
Known for
Credits

Love (1962)
Director
Shelter 9999 (1967)
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Filmmakers (1969)
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Fluxus Replayed (1991)
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Circle & Square (1981)
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Buddha Again (1970)
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Ukiyo Ukare (—)
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MA (Intervals) (1977)
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Dead Movie (1964)
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Observer / Observed (1975)
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Blinking (1970)
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The Masseurs (1963)
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Shutter (1971)
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White Calligraphy (1967)
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On Eye Rape (1962)
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Double Portrait (1987)
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Sync Sound (1978)
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My Documentary (1964)
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Junk (1962)
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Desade (1963)
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Rose Color Dance (1965)
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New York Day and Night: A Journey through Light and Darkness (1989)
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Onan (1963)
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A Dance Party in the Kingdom of Lilliput (1964)
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Visual Logic (and Illogic) (1977)
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Sky and Ground (1996)
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A I U E O NN Six Features (1993)
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Dada 62 (1962)
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Honey Moon (1966)
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Time Tunnel (1971)
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Flowers (1969)
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Shadowman (The Structure of Seeing and Hearing) (1984)
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Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973 (2023)
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Talking in New York (1981)
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MA: Space/Time in the Garden of Ryoan-ji (1989)
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Models: A-1: 2 Min. 46 Sec. 16 Frames (1972)
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A Chair (1970)
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Inside & Outside (1964)
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I Am A Viewer You Are A Viewer (1981)
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Yoko Ono: This Is Not Here (1972)
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Talking Picture (The Structure of Film Viewing) (1981)
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Kiri (The Fog) (1970)
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A Rock In The Light (2008)
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Scared to Death (1989)
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Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema (1967)
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Why Don't You Sneeze (1966)
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Models: A-2: Timing 1, 2, 3, 4 (1972)
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Models: B-2: A Line 1, 2, 3 (1972)
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New York Scenes (1967)
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Sakasama (Upside Down) (1963)
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Models: B-3: To See the Frame, Not to See the Frame (1972)
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The Making of MA in Ryoan-ji (1989)
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Taka and Ako (1966)
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To The Garden of Water Lilies (1990)
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6x6 (Oukan Densentsu) (1962)
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Man and Woman (1971)
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Face (1969)
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Monet Garden Synthesized (1989)
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Timed 1, 2, 3 (1972)
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I am (Not) Seen (2003)
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Moments At The Rock (1985)
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Film Strips I (1970)
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In The River (1970)
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Camera, Monitor, Frame (1976)
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As I See You You See Me (1995)
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Models: A-3: Time Length 1,2,3,4 (1972)
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John Cage Performs James Joyce (1985)
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Film Strips II (1970)
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Observer / Observed / Observer (1976)
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I Saw the Shadow (1966)
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I Love You (1987)
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Iro (Colors) (1966)
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Concept Tapes 2 (1991)
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The Pacific Ocean (1971)
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New York Hot Springs (1984)
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Concept Tapes 1 (1991)
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Models: B-1: Counting, 100 Or X's (1972)
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Models: B-4: Seeing, Not Seeing (1972)
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This Is a Camera Which Shoots This (1995)
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Ma: The Stones Haved Moved (2004)
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Air's Rock (1985)
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1 To 60 Seconds (1973)
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24 Frames per Second (1975)
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Plus and Minus (1973)
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Concept tape 3 (Performance) (1991)
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One Frame Duration (1977)
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Associations of Silverpencils (2011)
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