Takahiko Iimura
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Takahiko Iimura has been a pioneer artist of Japanese experimental film and video, working with film since l960 and with video since 1970 while residing in New York and Tokyo. He is a widely established international artist, having numerous solo exhibitions in major museums such as the Museum of Modern Art, New York, the Whitney Museum, New York, Anthology Film Archives, New York, Centre George Pompidou, Paris, the National Gallery Jeu de Paume, Paris, Palais des Beaux-Arts, Brussels, Reina Sofia National Museum, Madrid, and the Tokyo Metropolitan Museum of Photography, Tokyo in addition to an artist residency at the German Academy of Arts, Berlin, and Bellagio Rockefeller Foundation Study Center, Bellagio, Italy.
Known for
Credits
The Masseurs (1963)
Director
Yoko Ono: This Is Not Here (1972)
Director
Desade (1963)
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Filmmakers (1969)
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Shelter 9999 (1967)
Director
Love (1962)
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Fluxus Replayed (1991)
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Shutter (1971)
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Dead Movie (1964)
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Honey Moon (1966)
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Ukiyo Ukare (—)
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Junk (1962)
Director
Observer / Observed (1975)
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Double Portrait (1987)
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Onan (1963)
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MA (Intervals) (1977)
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Circle & Square (1981)
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White Calligraphy (1967)
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Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema (1967)
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Time Tunnel (1971)
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A Chair (1970)
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On Eye Rape (1962)
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Sync Sound (1978)
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Iro (Colors) (1966)
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Rose Color Dance (1965)
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A Dance Party in the Kingdom of Lilliput (1964)
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The Making of MA in Ryoan-ji (1989)
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MA: Space/Time in the Garden of Ryoan-ji (1989)
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Flowers (1969)
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Buddha Again (1970)
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Dada 62 (1962)
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Blinking (1970)
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My Documentary (1964)
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Inside & Outside (1964)
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A I U E O NN Six Features (1993)
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Film Strips II (1970)
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New York Hot Springs (1984)
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As I See You You See Me (1995)
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Sky and Ground (1996)
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I Am A Viewer You Are A Viewer (1981)
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Concept Tapes 2 (1991)
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Sakasama (Upside Down) (1963)
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Concept tape 3 (Performance) (1991)
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Camera, Monitor, Frame (1976)
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Talking in New York (1981)
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John Cage Performs James Joyce (1985)
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6x6 (Oukan Densentsu) (1962)
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1 To 60 Seconds (1973)
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Film Strips I (1970)
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Visual Logic (and Illogic) (1977)
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Why Don't You Sneeze (1966)
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New York Scenes (1967)
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I Saw the Shadow (1966)
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Models: A-1: 2 Min. 46 Sec. 16 Frames (1972)
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The Pacific Ocean (1971)
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Ma: The Stones Haved Moved (2004)
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Man and Woman (1971)
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New York Day and Night: A Journey through Light and Darkness (1989)
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Timed 1, 2, 3 (1972)
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Talking Picture (The Structure of Film Viewing) (1981)
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Models: B-3: To See the Frame, Not to See the Frame (1972)
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Scared to Death (1989)
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Models: B-4: Seeing, Not Seeing (1972)
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I Love You (1987)
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Plus and Minus (1973)
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In The River (1970)
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To The Garden of Water Lilies (1990)
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This Is a Camera Which Shoots This (1995)
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Models: B-2: A Line 1, 2, 3 (1972)
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I am (Not) Seen (2003)
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Face (1969)
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Models: A-2: Timing 1, 2, 3, 4 (1972)
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Kiri (The Fog) (1970)
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Taka and Ako (1966)
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Air's Rock (1985)
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Monet Garden Synthesized (1989)
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Moments At The Rock (1985)
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Observer / Observed / Observer (1976)
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Shadowman (The Structure of Seeing and Hearing) (1984)
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Models: A-3: Time Length 1,2,3,4 (1972)
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Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973 (2023)
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Concept Tapes 1 (1991)
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Associations of Silverpencils (2011)
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One Frame Duration (1977)
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24 Frames per Second (1975)
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Models: B-1: Counting, 100 Or X's (1972)
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A Rock In The Light (2008)
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