
Manon de Boer
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The experience of time pervades the work of Manon de Boer. This is an extended experience of time, firmly anchored in the conditions of creation that incessantly produces a present and presence and resists a normative, functional and productive concept of time. Manon de Boer mainly works within the audiovisual realm. In connection with her films, she works increasingly with sculpture, installation and in 2021 she made a performance, Ghost Party (1) together with Latifa Laâbissi. Her work has been exhibited internationally, at the Venice Biennial (2007), Berlin Biennial (2008), São Paulo Biennial (2010), Documenta (2012), Taipei Biennial (2016) and has also been included in numerous film festivals in Hong Kong, Marseille, Rotterdam and Vienna. Her work has been the subject of monographic exhibitions at Witte de With in Rotterdam (2008), Frankfurter Kunstverein (2008), South London Gallery (2010), Contemporary Art Museum of St Louis (2011), Museum of Art Philadelphia (2012), Van Abbe Museum in Eindhoven (2013), Secession Vienna (2016), Gulbenkian Museum Lisbon (2020), Museum Dhondt-Dhaenens Ghent (2022) and Kunstmuseum St.Gallen (2022) among others.
Known for
Credits

30th anniversaire of FIDMarseille (2019)
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Dissonant (2010)
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Sequenza (2014)
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Resonating Surfaces (2005)
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Attica (2008)
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Persona (2022)
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Sylvia Kristel – Paris (2003)
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On a Warm Day in July (2015)
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Oumi. From Nothing to Something to Something Else, Part 3. (2020)
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Bella, Maia and Nick. From nothing to something to something else, part 1 (—)
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An Experiment in Leisure (2016)
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one, two, many (2012)
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Caco, João, Mava and Rebecca. From Nothing to Something to Something Else, Part 2 (2019)
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Presto, Perfect Sound (2007)
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The Untroubled Mind (2016)
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Think About Wood, Think About Metal (2011)
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Two Times 4'33'' (2008)
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